Musicians have always loved the stars.

Montgomery has maintained her enthusiasm for string performance by expanding the possibilities in composition for string music.

Tower's music defines a bridge from serialism, through the realms of minimalism, neo-romanticism, and spectralism, into the land of contemporary classical music.

One can sense the theme of dualistic push/pull throughout the piece.

Perhaps I am overstating Tania León’s connection to Leonard Bernstein, but her story lifts us ALL up at a time when our country is in desperate need of a reminder of what truly makes it great.

It’s a challenge to come up with a creative adjective to describe the productivity of Paola Prestini.

It's the realization of a new dimension hidden in the source material, brought to the awareness of those of us hanging out in Flatland without her vision.

Traditionally, instrumentalists work very hard to emulate the human voice.

There is a moment at the end of Fata Morgana that gets me every time. The mirage appears to resolve into a simple, clear vision (solo horn) only to be disturbed by the mirage's reality crashing down loudly and discordantly on the observer before everything comes to an end. It's a beautiful, chilling metaphor for so much these days.